Beijing's Ethnic Costume Museum
China is a land rich in museums—by the end of 2013, there were almost twenty-seven hundred known institutions. We first covered exhibitions at Chinese museums in 1982, when my brother David and I co-wrote about Qing Dynasty jewelry in the Museum of Treasures, Beijing. This was shortly after China was opened to Americans, after President Nixon’s visit, when my brother was working for American television news. Since then, we have had occasional coverage of exhibitions there: in 2000, “Forbidden City” by Carolyn Benesh; in 2008, when Patrick Benesh-Liu made his first visit to China, and reviewed the Shanghai Museum of Art. In 2013, I returned to China after an absence of sixty-seven years. Having left Shanghai as a child of eight, China was so different, yet still so familiar in essence. During our whirlwind trip through Shanghai, Beijing, Hangzhou, and Jinze, we visited museums in each city. Our review of the Warring States beads exhibition at the Shanghai Museum of Glass in 2013 was an example of such coverage.
To Read The
Robert K. Liu is Coeditor of Ornament and for many years its in-house photographer. His recent book, The Photography of Personal Adornment, covers forty plus years of shooting jewelry, clothing and events related to wearable art, both in and out of the Ornament studio. In this issue Liu writes about the Ethnic Costume Museum in Beijing, which he visited with Carolyn and Patrick in 2013, on a return to China after sixty-seven years in the United States. While going through the recent move of the Ornament office, he restudied some ancient stone beads in its study bead collection, marveling at both the skill of ancient and contemporary stone beadmakers, especially those who did replicas or imitations.