Highlights from the Robert and Penny Fox
Historic Costume Collection
In a sense, “Immortal Beauty” marked a debut more than a century in the making. As the first full-scale retrospective drawn from Drexel University’s Robert and Penny Fox Historic Costume Collection (FHCC), the exhibition and its catalogue showcased the depth of this remarkable assemblage of more than fourteen thousand garments, accessories and textiles.
Seventy-five objects were selected by FHCC curator Clare Sauro “both for their historical significance and their aesthetic beauty,” as well as to give an “overview of more than two hundred fifty years of fashion change.” Indeed, the offerings ranged from an Italian textile fragment of about 1550 to a pair of heel-less platform leopard-print “booties” designed by Giuseppe Zanotti in 2012–13, but the focus was primarily on international haute couture of the twentieth century, including garments by fashion luminaries such as Cristobal Balenciaga, Gabrielle Chanel, Halston, Mary Quant, Oscar de la Renta, and Elsa Schiaparelli...
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David Updike is an editor at the Philadelphia Museum of Art, which makes use of his incisive writing for exhibition catalogues and other publications relating to the museum. A frequent contributor to Ornament, he recently gave his observations of jewelers Rebecca Myers and Holly Lee, residents of Maryland and Pennsylvania respectively. This issue David covers the “Immortal Beauty: Highlights from the Robert and Penny Fox Historic Costume Collection” from Drexel University, where he gives a blow by blow of each gorgeous dress from the university’s extensive holdings.