J Taran Diamond’s jewelry seeks to communicate thoughts and ideas with minimal materials that hold deep connotations, and create conversations around race and gender.

Robert K. Liu examines this unique and large collection of Tuareg jewelry and craft, gathered over a twenty-year period by a Tuareg jeweler, covering all areas where these nomadic artists have lived and worked.

Cat Bates is a Maine jeweler who seeks to make handmade, affordable jewelry that celebrates intricate processes and techniques.

Wayne P. Armstrong contributes his background as a biology professor to reveal the mystery behind the cochineal insect, the source of the bright red dye that was coveted all over the world. In Spanish, it is known as la grana cochinilla. From British Red Coats to 18th century paintings and food dye, cochineal is why red is part of humanity’s wearable repertoire.

Lesley Aine McKeown’s jewelry explores space, science fiction worlds and juicy stones, while she shares her wisdom on life and philosophy.

Robert K. Liu provides a comparison between the ancient and the modern craftsperson, using his own personal experience in making as a reference, as well as ancient examples of crafts.

Ashley Callahan investigates the jewelry of Nikki Couppee, who is inspired by her native Florida. The bright colors, sparkle and glitz of the Sunshine State are recreated in her NeoGems and HoloGems, using silver foil and acrylic to make shining elements.

The New-York Historical Society brought together a stunning collection of André Chervin of Carvin French Jewelers, showcasing his beloved objets d’art.